ALL THE COLOURS OF DEATH
I am in pain.
All the time.
All the time, I am in pain.
Somehow saying it under my breath under my duvet under my ceiling stars brought me relief. Somehow, admitting it felt like a comfort.
I saw a late night commercial once where an old man with long hair and a badly-fitting sweater looked straight into the camera and talked about ‘the power of the mantra’. It caught my attention the first time it came on because of how slowly he was talking compared to everything else on TV. His room was lit by warm orange spotlights that made lines in smoke and a yellow phone number flashed up at the bottom of the screen. The man explained that by repeating certain lines over and over again we could find relief from anxiety. A twenty-first century pandemic, he asserted in his deep, Texan accent.
“Now’s about time for you to start your journey to inner peace,” he said. “Turns out I’ve done the hard work for you. Say the words, make your surroundings a little simpler. All you have to do is repeat after me, and then just maybe you’ll dial the number and join me on a little year-long adventure.”
I’d seen the advert so many times I knew every beat. He’d shuffle to the centre of the screen, close his eyes and then I’d repeat the mantra along with him from under my cosy sheets.
“Life is made from many colours,
But see - only green in the trees.
Get a whole year of mantras straight to your door,
For only ten easy payments of $8.99 a month plus shipping fees.”
I even knew the number by heart. That old mantra-selling Texan was the only reason I left the shopping channel on all night, on that old TV that I found behind the post office the week after I moved in. It flickered and buzzed and had a broken yellow tint that matched the stars on the ceiling.
Back then I’d sit, hidden and exhausted in the yellow-edged darkness after a day stripping mattresses at the Trucker’s Motel, a tired old bundle of walls on Route 80 between Lexington and Elm Creek. It was like a beacon of safety, that bright buzzing screen. Eight hours of ricocheting elastic cornered bedsheets, flicking up skin flakes and rubbing against wet spots. Eight hours of avoiding leering guests with X-ray eyes and a thirty minute break in the office listening to Dina Morello complain about the noise from the vending machine complain about the smell of the radiators complain about the sticky telephone buttons complain about the cold.
But when I got home and locked the door, behind the glow of that broken yellow TV screen, I could try and breathe a little easier. I could make my world simpler like the old man said. I saw those late night commercials like the flickering lights I’ve seen in big corporate kitchens, the ones that attract flies and then burn them up. I imagined anything nasty in the world becoming attracted to that screen and not getting any closer.
Yellow for stars, yellow for comfort. Yellow for vaporising the day in a raging furnace.
I’d whisper it aloud to help me make sense of the world. I figured I could start with the colours and everything else would fall into place.
The power of the mantra.
I remember those nights so clearly now, through the haze. I remember thinking a breadknife would be the right way to do it. I remember the thoughts inside my mind like a bee sting I couldn’t comfort. I remember it all now. I remember that man standing in reception. I remember when the mantras failed. I remember when the yellow light didn’t work its magic anymore.
Complete story available to agents and publishers. Contact Russell James at russelljamesauthor@gmail.com